Hooking up steinberg nuendo 5 video tutorials

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The Render tab specified how the files should be created, the signal path, and whether to mix down the events to a single track, while the File Settings tab provided settings for how the resulting files should be named and where they should be stored. When rendering was first implemented in Cubase, the Render Selection window contained two tabs: Render and File Settings. A further nice touch is that when multiple events are rendered on the same Track, you can set whether to create one single file, a file for each event, or files that group together adjacent events - so-called Block Events. As mentioned in the Cubase 8 review, this feature is particularly powerful since you can choose how much of the signal chain you want included in the rendered file, and you also have the option of rendering events across multiple tracks into a single file. Nuendo 7 also includes the Render-In-Place feature from Cubase 8, making it easy to select events in the Event Display, have them rendered as audio files and then imported back into the project on a new audio track.

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The NEK is an additional purchase, and existing Nuendo and NEK owners will need to upgrade both Nuendo and the NEK. As usual, Steinberg have separated the more specialised musical features into the Nuendo Expansion Kit (NEK), and this is where youРІР‚в„ўll find Cubase 8РІР‚в„ўs Chord Pads and Chord Assistant. Not all Cubase 8 features are available in the standard version of Nuendo, however. This makes it possible for the existing automation to be merged - dare I say combined - with the new automation from the VCA track, and youРІР‚в„ўll see the original automation (darkened) behind the current combination automation. However, if a track already contains automation, a new type of automation called combination automation will be written instead. If a track in the VCA group doesnРІР‚в„ўt contain automation events, automation derived from the VCA fader track will be written to this track. Perhaps the biggest thing Nuendo gains from Cubase 8 is the ability to have VCA Faders, which I think will make a great number of mix engineers rather happy, and one particular highlight is the way in which automation is handled. This window now offers a preview area, making it simpler to lay out how the controls will appear in each type of track header. Track names are now easier to read, and you can access the Track Controls Settings window via a button at the bottom of the Track List. The Project window has been cleaned up in this release, and now features skeletal scroll bars and an optional integrated VST Instruments rack or Media Bay. This makes life considerably easier, especially with the new Workspaces Organiser (nР“В©e Organise Workspaces) window. Global Workspaces, as you might expect, are available in any Nuendo project, whilst Project Workspaces are only accessible in the project in which they were created. Replacing the old Workspaces and Workspace presets are two new categories of Workspace: Global and Project. Speaking of Workspaces, this feature has been completely overhauled - and improved - for users of both platforms.

While this is mostly effective, and Steinberg have certainly ironed out some of the early quirks of this new approach since the initial Cubase 8 release, IРІР‚в„ўm still not completely convinced I love it.

The idea behind this change is, in part, to improve the user experience when working with multiple displays, particularly if you make use of Workspaces. The menu bar exists as its own window that has to be placed at the top of one of your displays.

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Where previously all of NuendoРІР‚в„ўs windows apart from the floating ones would be contained within a parent MDI (Multiple Document Interface) window, they are now set free to be placed wherever you like. Windows users will initially be impacted the most by certain behaviours inherited from Cubase 8, as Nuendo 7 on Windows adopts SteinbergРІР‚в„ўs new approach to windowing.

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However, as usual, Steinberg have gone further, adding specialised features for the audio post-production market, and, for the first time, for those producing audio for video games.Р”Р„lthough IРІР‚в„ўll be discussing some of the features from Cubase 8 as they relate to Nuendo in this article, refer to the Cubase Pro 8 review published in the March 2015 issueР’В for a more in-depth discussion on the specifics. This is good news, since it means Nuendo users finally get desirable features such as VCA faders and Render-In-Place.

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Nuendo 7 inherits all the new features Steinberg debuted in Cubase 8, and adds sophisticated functionality for producing audio for film, TV and games.Р”Р‡ollowing six months after the release of Cubase 8, Nuendo 7 brings the latest functionality from SteinbergРІР‚в„ўs Advanced Music Production System to their Advanced Audio Post-Production System.